EPK Cameraman Brian Dzyak Author of What I
Really Want to Do On The Set in Hollywood talks about EPKs The evolution
of TV network broadcasts to cable and Online changes playground The
Digital Age ...
The evolution of TV network broadcasts to cable and Online changes
playground The Digital Age Impacts Distribution
The verdict is still out of format changes behind the scenes, too. Im
more concerned about getting the best footage I can for an EPK, said
Brian Dzyak, EPK Cameraman and author of What I Really Want To Do On Set
In Hollywood, a guide to every real job in the film industry. Im still
using HD cameras and mixing managing media on the set, which isnt the
best method, but the bigger challenge is managing the media afterwards,
said Dzyak. Dzyak says sometimes movie directors will get away with
having an assistant shoot some scenes in HD, but you can spot them a
mile away.
For the Rest of the story visit: http://mayocommunications.wordpress.com
and for entertainment publicity or Los Angeles Public Relations visit:
www.MayoCommunications.com or call 818-340-5300. Publicity@MayoCommunications.com.
Be sure to join both Entertainment Publicity Groups to learn inside
secrets and media trends today: On Linked Inn: http://www.linkedin.com/groups?gid=82...
or Facebook: http://www.facebook.com/group.php?gid... http://mayocommunications.wordpress.com
and for entertainment publicity or Los Angeles Public Relations visit:
www.MayoCommunications.com or call 818-340-5300. Publicity@MayoCommunications.com.
Thx.
October 28,
2006.....An excerpt from What I Really Want to Do on set in Hollywood
has been published in the November issue of ICG Magazine
(International Cinematographer's Guild). Click HERE
for a .pdf file or click HERE
for more information.
